In this tense tale of psychological terror, Vivian Miller (Young) is a young twenties woman who’s serving out her jail sentence at a work release program in the Midwest. Her 90 days of probation takes her to The Cawdor Theater, a dilapidated summer stock theater run by Lawrence O’Neil (Elwes). Lawrence, a failed Broadway director, is now reduced to staging amateur productions with young parolees and raging over the mistakes from his past. Vivian’s arrival in Cawdor starts a terrifying series of events that brings Lawrence’s secret past to the present. After Vivian views an old taped stage production of Macbeth, a force of evil is unleashed which soon turns its sights on her. With the help of Roddy (Welch), a local outcast, Vivian sets about trying to discover who the supernatural killer on the tape is before she becomes the next victim.
A Shakespearean actor takes poetic revenge on the critics who denied him recognition.
Three young children set up a table, and on the table is placed a miniature stage. The stage curtain opens, a carpet appears, and then the carpet unrolls by itself. Two puppet figures then come out and begin to perform a series of routines.
Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing classic gothic tale.
Live theatre presentation of Shakespeare's classic play about two teenagers from warring families whose love affair ends in tragedy.
Hamlet, Prince of Denmark, finds out that his Uncle Claudius killed his father to obtain the throne, and plans his revenge.
Down a seedy city street in her neighborhood, young Enola Penny is obsessed with what appears to be a long abandoned theatre. One night, she sees that the front door is slightly ajar and impulsively decides to sneak inside. But there in the dark, decrepit auditorium, a show unlike any other unfolds before her eyes. Its host is an eerie human puppet named Peg Poett who will introduce Penny to six tales of the bizarre: A couple traveling in a remote part of the French Pyrenees cross paths with a lustful witch; A paranoid lover faces the wrath of a partner who has been pushed to her limit; The Freudian dreams of an unfaithful husband blur the lines between fantasy and reality; The horrors of the real world are interpreted through the mind of a child; A woman addicted to other people's memories gets her fix through the vitreous fluid of her victims' eyeballs; And a perverse obsession with sweets turns sour for a couple in too deep.
The Theatre of Death in Paris specialises in horror presentations. A police surgeon finds himself becoming involved in the place through his attraction to one of the performers. When bloodless bodies start showing up all over town he realises there could be links with the theatre.
A documentary on the Kirov School of Ballet in Russia, narrated by Princess Grace of Monaco.
Three young movie theater employees are given the task of re-opening a long closed old-time theater at which many years before a shocking series of grisly murders took place. It seems many more murders have occurred since then but all of this remains unknown to these three young upstart employees hoping to finally make it big on their own. As they approach the grand re-opening night, things keep getting stranger and more unsettling with items suddenly starting to move around by themselves without any seen aid and a terrifying old man seemingly haunting the premises.
Theatre of War is an essay on how to represent war, performed by former enemies. British and Argentinian veterans of the Falklands war come together to discuss, rehearse and re-enact their memories 35 years after the conflict.
A haunted theatre, filled with the vengeful spirits of a tragically-trapped performance troupe murdered in a fire 13 years ago, waits for the once-grand palatial playhouse to re-open with a new show - and bring in new victims.
On November 10, 2017, at the historic Capitol Theatre in Port Chester New York, Sheryl Crow played the final night of her Be Myself tour. The show features Sheryl with her all new band in top form, performing new songs from her 8th studio album, including the title track Be Myself along with her newest hits Halfway There and Atom Bomb. Sheryl also performs her classic hits All I Wanna Do, Leaving Las Vegas, First Cut Is The Deepest, Soak Up The Sun, If It Makes You Happy and many more.
The ruined aftermath of a bloody civil war. Ruthlessly fighting to survive, the Macbeths are propelled towards the crown by forces of elemental darkness. Shakespeare’s most intense and terrifying tragedy, directed by Rufus Norris (The Threepenny Opera, London Road), will see Rory Kinnear (Young Marx, Othello) and Anne-Marie Duff (Oil, Suffragette) return to the National Theatre to play Macbeth and Lady Macbeth.
In this convoluted melodrama, an elderly thespian falls for a rising young starlet. He admits his love for her and then announces that he will retire. The young woman pretends she loves him too, but her real motive is to give her struggling lover, also an aspiring actor, a break.
Theatre 1 (Observational Film Series #3) is a feature length documentary, which closely depicts the world of Oriza Hirata, Japan's leading playwright and director, and his theatrical company, Seinendan. By depicting them, the film leads the audience to revisit fundamental but timely questions: What is theatre? Why do human beings act?
Oriza Hirata is Japan's leading playwright and director, who runs his own theatrical company, Seinendan. Theatre 2 (Observational Film Series #4) examines the dynamic relationship between theatre and the society through depicting Hirata's activities. In order for his art and his not-so-commercial company to survive this highly capitalistic modern society, what kind of strategy does Hirata have and practice?
This edition of the Broadway Theatre Archive series features a performance of Percy MacKaye's satiric play "Scarecrow," which follows a straw man (Gene Wilder) brought to life in colonial Massachusetts by a demon to visit revenge on a witch's two-faced neighbor. But the jig may be up when the scarecrow falls for his mark. Blythe Danner, Norman Lloyd, Nina Foch and Pete Duel also star in this engaging 1971 production.
Animated film directed by Walerian Borowczyk.
Charlie is in charge of stage "props" and has trouble with actors' luggage and conflicts over who gets the star's dressing room. Once the dressing-room issue is resolved the next issue is getting everyone on stage with the correct backdrop. Backstage Charlie and an old man fight, often disrupting the on-stage performances. The audience also break into a fight, and a hose brought out behind the scenes ends up squirted over them.
Lux Video Theatre is an American anthology series that was produced from 1950 until 1959. The series presented both comedy and drama in original teleplays, as well as abridged adaptations of films and plays.
Kraft Suspense Theatre is an American anthology series that was telecast from 1963 to 1965 on NBC. Sponsored by Kraft Foods, it was seen three weeks out of every four and was pre-empted for Perry Como's Kraft Music Hall specials once monthly. Como's production company, Roncom Films, also produced Kraft Suspense Theatre. Writer, editor, critic and radio playwright Anthony Boucher served as consultant on the series. Later syndicated under the title Crisis, it was one of the few suspense series telecast in color at the time. While most of NBC's shows were in color then, all-color network line-ups did not become the norm until the 1966-67 season.
Thirty-Minute Theatre is an anthology drama series of short plays shown on BBC Television between 1965 and 1973, which was used in part at least as a training ground for new writers, on account of its short running length, and which therefore attracted many writers who later became well known. It was initially produced by Graeme MacDonald. Thirty-Minute Theatre followed on from a similarly named ITV series, beginning on BBC2 in 1965 with an adaptation of the black comedy Parsons Pleasure. Dennis Potter contributed Emergency – Ward 9, which he partially recycled in the much later The Singing Detective. In 1967 BBC2 launched the UK's first colour service, with the consequence that Thirty-Minute Theatre became the first drama series in the country to be shown in colour. As well as single plays, the series showed several linked collections of plays, including a group of four plays by John Mortimer named after areas of London in 1972, two three-part Inspector Waugh series starring Clive Swift in the title role, and a trilogy of plays by Jean Benedetti, broadcast in 1969, focusing on infamous historical figures such as Adolf Hitler and Joseph Stalin.
Armstrong Circle Theatre is an American anthology drama television series which ran from 1950 to 1957 on NBC, and then until 1963 on CBS. It alternated weekly with The U.S. Steel Hour.
Faerie Tale Theatre is a live-action children's television anthology series retelling popular fairy tales. Shelley Duvall serves as narrator, host and executive producer of the program, and occasionally stars in episodes. The series was followed by another, shorter series called Tall Tales & Legends which followed the same format as Faerie Tale Theatre and focused on classic American folk tales. Both series feature well known actors and directors, and were inspired by the children's television series Shirley Temple's Storybook. Faerie Tale Theatre originally aired on Showtime from 1982 to 1987. It later aired as edited re-runs on the Disney Channel as well as in syndication on various television stations, including PBS and BookTelevision.
Ford Theatre, spelled Ford Theater for the radio version and known as Ford Television Theatre for the TV version, was a radio and television anthology series broadcast in the United States in the 1940s and 1950s. At various times the television series appeared on all three major television networks, while the radio version was broadcast on two separate networks and on two separate coasts. Ford Theatre was named for its sponsor, the Ford Motor Company, which had an earlier success with its concert music series, The Ford Sunday Evening Hour.
Bob Hope Presents the Chrysler Theatre is an American anthology series, sponsored by Chrysler Corporation, which ran on NBC from 1963 through 1967. The show was hosted by Bob Hope, but it had a variety of formats, including musical, dramatic, and comedy.
Science Fiction Theatre is an American science fiction anthology series that aired in syndication from April 1955 to April 1957. It was produced by Ivan Tors and Maurice Ziv.
Kraft Mystery Theatre is an American anthology series that aired on NBC from June 17, 1961 to September 25, 1963.
Alcoa Theatre is a half-hour American anthology series telecast on NBC at 9:30 pm on alternate Monday nights from October 7, 1957 to September 16, 1960. The program also aired under the title Turn of Fate, with the stories depicting the difficulties faced by individuals who are suddenly thrust into unexpected and perilous dangers. Alcoa Theatre was syndicated together with Goodyear Theatre as Award Theatre. In 1955, The Alcoa Hour premiered in a one-hour format aired on Sunday nights, but it was reduced to 30 minutes, retitled Alcoa Theatre, and moved to Monday evening in 1957. The show employed an alternating rotating company of actors: David Niven, Robert Ryan, Jane Powell, Jack Lemmon and Charles Boyer. Each appeared in dramatic and light comedic roles through the first season.
At Theater tonight is a TV show broadcasted from 25th August 1966 to 21st September 1985. The show is broadcast plays recorded in two or three days, during public performances at the Théâtre Marigny on the Champs-Élysées, or sometimes Edouard VII theater.
Starlight Theatre is an American anthology series that aired on CBS television from April 2, 1950 to September 20, 1951.
Goodyear Theatre is a 30-minute dramatic television anthology series telecast on NBC from 1957 to 1960 for a total of 55 episodes. The live show was directed by Don Taylor, Arthur Hiller and James Sheldon. It followed Goodyear Television Playhouse.
The Chevrolet Tele-Theatre is an American anthology series that aired live on NBC Mondays at 8 pm EST from September 27, 1948 to June 26, 1950. Guests who appeared on the series included Faye Emerson, Edward Everett Horton, Basil Rathbone, Nina Foch, and Boris Karloff.
Six medical students whose lives revolves around drugs and sex, unwillingly come together to stage a play and participate in a prestigious competition. Coming soon - Sex Drugs & Theatre, a ZEE5 Original starring Shalva Kinjawadikar, Mitali Mayekar, Nayannah Mukey, Aadish Vaidya, Suyassh Zunzurke, Abhishek Deshmukh, Sujay Dahake, Pravin Tarde and Sunil Barve.
Danger Theatre is an American half-hour comedy anthology series for television, produced by Universal Studios and originally aired on the American Fox network in 1993. With two exceptions, each half-hour-long show consisted of two comedy segments, each a spoof of a familiar action/anthology format. The style of the comedy was somewhat similar to that of films like Airplane! and TV shows like Police Squad! Robert Vaughn, most familiar to audiences from his role on The Man from U.N.C.L.E., was the host for each episode, introducing to camera each fifteen-minute segment with mock earnestness. The jokes ranged from humorous or preposterous dialogue to visual gags and slapstick designed to poke fun at the serious dramatic formats being lampooned. Danger Theatre only ran for seven episodes before cancellation, but was syndicated beyond the United States, airing in the United Kingdom on the BBC in 1994.
Series of television plays performed live.